Time signatures, tempi and pitches come from your file — sound, start point and grid are up to you.
← All toolsor drop one here — .mid, .musicxml, .xml, .mxl. Nothing leaves your device.
Click the map to set the start bar. Bar widths follow their real duration, so a 3/16 bar is half the width of a 3/8 bar.
Load a score and the tool reads its bar structure: time signatures, tempo marks and the notes themselves. Rehearse from any bar by typing its number or clicking the map, and let the count-in bring you in. The three sounds — woodblock, sine beep and cowbell — cut through different ensembles, and every downbeat is accented.
If your file contains a written click part, switch “Click follows” to the notes in the file. Each distinct pitch is then analysed and mapped to its own click pitch, so a part notated a fifth higher sounds a fifth higher. Compound meters count every eighth by default and can be switched to dotted-note beats. Repeat signs are not unfolded — the click follows the written order.
These tools are free and stay free. They are written and maintained by a composer who needed them for his own rehearsals. If one of them saved you time, a coffee is always welcome.
Buy me a coffee